Before
Just as a childhood photograph can become the sole memory of an event—whether accurate, distorted, or entirely false—a map, too, holds the same type of power. In this series, I explore maps as memory, tracing private paths through streets, neighborhoods, and cemeteries. Each drawn dot and circle marks a personal connection, a moment in time, lingering and longing.
Materials: Sharpie, Mylar, watercolor, digitally manipulated prints of scanned cemetery diagrams on transparent film, thread, glue on Plexiglas.